"The witness" score by Pauline Oliveros; introduction by Manari Ushigua, version by: Cesar Ushigua, Antonio Ushigua, Diego Ushigua, Ipiak Ushigua, Nema Ushigua, Silvia Rodas, Ricardo Ushigua, from Llanchama Cocha, Sapara Nation, Amazonia

LLANCHAMA COCHA SOUNDSCAPE COLLECTION #1: Sapara Forest around the midnight

The Witness

18.05.2021, Ecuador, Manari Ushigua, Archive of the future, Concert, Experimentation, Score, Site-specific, Vocalities, Acoustic ecology, Deep listening practices, Ecology, Politics, Spirituality, Climate change, Healing, Human footprint, Listening as activism, More-than-humans, Taking turns with Earth, Wisdom keepers

-1.831239° / -78.183406°

 – “The witness” score by Pauline Oliveros, version by: Cesar Ushigua, Antonio Ushigua, Diego Ushigua, Ipiak Ushigua, Nema Ushigua, Silvia Rodas, Ricardo Ushigua and Manari Ushigua from Llanchama Cocha, Sapara Nation, Amazonia.

The Witness score by Pauline Oliveros, version by: Cesar Ushigua, Antonio Ushigua, Diego Ushigua, Ipiak Ushigua, Nema Ushigua, Silvia Rodas, Ricardo Ushigua, Manari Ushigua from Llanchama Cocha, Sapara Nation, Amazonia

Frogs and toads music in Mindo Forest

“The Witness” score by Pauline Oliveros; introduction by Manari Ushigua, version Llanchama Cocha (Sapara Nation, Amazonia), Montreal, Quito

A global message from Llanchama Cocha by Manari Ushigua, Sapara Nation, Amazonia

THE WITNESS/EL TESTIGO, score by/partitura de Pauline Oliveros, version LLANCHAMA COCHA – QUITO – MONTREAL – NEW YORK

LLANCHAMA COCHA SOUNDSCAPE COLLECTION #3: Sunrise in Sapara forest

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