GRANTMAKERS
- Stadt ZĂĽrich Kultur
- Fachstelle Kultur, Kanton ZĂĽrich
SUPPORTERS
- Swiss Arts Council Pro Helvetia
- SĂĽdKulturFonds
PARTNERS
- Pro Helvetia South America
- Pro Helvetia Johannesburg
- Pro Helvetia New Delhi
- Pro Helvetia Moscow
- Pro Helvetia Cairo
- Pro Helvetia Shanghai
SUPPORT FOR RESEARCHERS
- 1 Shanti Road Bangalore, India
- Alliance française Kampala, Uganda
- CEA (UEM) - Centro de estudos africanos, Mozambique
- CĂrculo Cultural de Suiza en Ecuador
- Concordia University Montréal, Canada
- ECA (UEM) - School of Communication and Arts, Mozambique
- EDHEA - Ecole de Design et Haute Ecole d’Art du Valais, Switzerland
- EPFL - Ecole Polytechnique Fédérale de Lausanne, Switzerland
- Embassy of Switzerland in Bolivia
- Embassy of Switzerland in Ecuador
- Embassy of Switzerland in India and Bhutan
- Fundação Fernando Leite Couto, Mozambique
- Goethe-Institut Max Mueller Bhavan Bangalore, India
- Goethe-Zentrum Kampala, Uganda
- Harvard University, USA
- Horning Tree Seed Orchard, USA
- Kampala Film School, Uganda
- Laihui Centre for Research on Traditional and Indigenous Performing Arts, India
- McGill University, Canada
- Portland State University, USA
- Prince Claus Fund, Germany
- RV College of Architecture, India
- Swissnex in Brazil
- Swissnex in India
- Wits University, South Africa
- ZHdK - Zurich University of the Arts, Switzerland
CO-PRODUCERS
- Alarm will sound, USA
- AmazonFace, Brazil
- Casa da Cultura de Inhambane, Mozambique
- Centro Cultural Scala, Mozambique
- Centro Tofo, Mozambique
- Green Cane Innovations Kisoro, Uganda
- Labverde, Brazil
- Maputo Fast Forward, Mozambique
- matralab, Canada
- Ministry of MaĂĄt, USA
- Novas FrequĂŞncias Festival, Brazil
- Nyege Nyege, Uganda
- Pearl Rhythm Festival, Uganda
- SAMPle Laptop Ensemble, USA
- Sonandes, Bolivia
- The Indian Sonic Research Organisation (ISRO), India
- Wildlife and Habitat Protection Society (WAHPS), India
SPECIAL THANKS
The Witness _Pauline Oliveros (1989) © 2013 Anthology of Text Scores Deep Listening Publications All Rights Reserved Permissions from: The Pauline Oliveros Trust